I've recently come to appreciate Ireland's exciting audio/visual arts movement and the way it redefines the language of the screen by engaging with theories of science, architecture and socio-economic cultural artefacta* to rigorously interrogate psychological attachments to space, form and the places found between both space and form re: memory and place as seen from the imagined perspective of mental and physical architectura* of space itself apropos one detail or form extracted and used to mask out and shape details of another space and the way the form actively tries to build itself, stripping the original sites/memory structures of sentimentality, refracted light, space, nostalgia and/or any remote possibility of interest at all.
A great example of this was the piece I saw recently by prodigious audio/visual supremo and man-bag enthusiast Moses Langley-Hayse M.A. It featured several grainy digital shots of a rusty old metal bench that stood upon on an abandoned and windswept promenade in Ostend. These challenging visuals were accompanied by a soundtrack comprising of atonal electronica and 'found sounds' such as indistinct sighs and moans and a crunching noise that may have been caused by the director eating an egg and ham roll from the local Spar. Langley-Hayse described the piece as his latest exploration into the peripheral realm of the aesthetics of deprivation, a realm he first delved into with his Homeless Shelter Urinal Cake series. Rusty Bench in Ostend was incredible viewing. It was like having a mirror held up our world and being asked 'so what?'.
I also enjoy the new ones they are making where people with man-bags interview their dads but without any sync sound and with loads of close-up camera angles pulling focus on their old fella's nostril hair in an intimate and honest way. Lovely stuff. Keep it coming. It's like Punk all over again.
(*made up words but appropriate I feel given the basic free-form approach to coherence encouraged by said audio/visual practitioners and their cognoscenti benefactors).